This was supposed to be a Valentine’s Day post about the birth of Frederick Douglass, his life, different types of love, and heart stuff. It still kind of is, and today See, he was born on February 14 by choice. As with most slaves, the actual date of his birth went unrecorded, year included. In honor of Singles Awareness Day, which is technically today, I’m making this post in honor of him. Also, I missed yesterday while celebrating Galentine’s Day and I wanted to impart the wisdom about love I received from reading The Narrative of the Life of Frederick Douglass.
When drafting an outline, there are a few ways to incorporate the spine, the heart, the soul, the joints, and all the excess bits mentioned previously. You can choose to create a large, lengthy, detailed outline. This may work better for some, just as some prefer to take the scenic route in life. Others might occasionally take the scenic route but prefer shortcuts if they’ve already experienced the scenery. For example, if you’re writing a novel for the first time like yours truly, the scenic route is wisest.
Every novel needs a backstory like cultures need myths like people need spines. Without growing a backbone, our skeletons collapse on themselves. We’ve talked about the soul, the heart, the joints, and the skeleton of a story. Now it’s time to discuss that which holds our novel’s outline upright–the backstory.
Synovial sidenotes and the chambers of a story’s heart.
What fuels a story is similar to what fuels a man. Although stories aren’t dead or alive, they’re the breath of us. They capture a little bit of our soul power. When writing a story, you’ve got to ensure it’s properly infused with this essence.